Download Tin Machine mp3

Artist: Tin Machine: mp3 download    Genre(s):  Rock     Discography:      Reality    Year: 2003    Tracks: 14 Even in a career outlined by its detours and departures, it all the like raised eyebrows when David Bowie formed Tin Machine in 1989, briefly apostasy his long and successful solo career to ferment within the confines of a isthmus. Featuring guitar player Reeves Gabrels and the sibling calendar method section of Tony and Hunt Sales -- the sons of fabled television system system mirthful Soupy Sales -- the group was on the face of it assembled to trachinotus falcatus Bowie the opportunity to devolve to his roots, touring diminished clubs and collaborating in what he asserted was a really democratic seminal partnership. Indeed, Tin Machine's metallic, feedback-intensive healthy go down it distinctly apart from recent Bowie solo efforts, and their eponymic 1989 debut LP earned favourable reviews, grading an MTV reach with the first-class honours degree single, "Under the God." Can Machine II followed in 1991, simply lacking the gaud and the accompaniment media reportage of its predecessor, the record book failed to generate practically excitement; the live Oy Vey, Baby appeared later that same class, only when Bowie resumed his solo career with 1993's Bleak Tie White Noise, the dance band quietly ceased to exist.

Megan Fox films sex scene for zombie flick

Transformers star Megan Fox has filmed a �really hot� tribade love scene for her new zombie movie.

The actress romps topless in seam with Mamma Mia star Amanda Seyfried in zombie film Jennifer�s Body.

A source said: "The two girls make out hardcore, wheeling around in a bed. It was a truly hot scene."

In Jennifer�s Body, Megan plays a amok cheerleader world Health Organization goes on a killing spree murdering her male classmates.

Megan recently hinted she would be sharing a passionate smack with her co-star Amanda, revealing: "I eat and seduce everyone. There's a lot of kissing everyone�- boys and girls. All kinds of craziness."

This isn�t the only highly-anticipated swelled screen lesbian kiss.

Scarlett Johansson recently revealed she enjoyed locking lips with Penelope Cruz in new Woody Allen picture Vicky Cristina Barcelona.

She aforementioned: "Everybody wants to know what it was like. Penelope had less facial hair than a guy so it was sure enough more pleasant. It was better than kissing Jonathan Rhys Meyers in Match Point."

Jennifer�s Body, also leading Adam Brody and JK Simmons, hits cinemas oecumenical in 2009.

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Download Herbie Hancock mp3

Artist: Herbie Hancock: mp3 download    Genre(s):  funk Jazz Jazz: Acid Jazz Other R&B: Soul     Discography:      The Jewel in the Lotus    Year: 2007    Tracks: 8      The Finest In Jazz    Year: 2007    Tracks: 6      Possibilities    Year: 2005    Tracks: 10      The Definitive    Year: 2001    Tracks: 9      Lite Me Up    Year: 2001    Tracks: 8      Future 2 Future    Year: 2001    Tracks: 11      The Herbie Hancock Trio    Year: 2000    Tracks: 5      Ken Burns Jazz Series: Herbie Hancock    Year: 2000    Tracks: 9      Sound System    Year: 1999    Tracks: 6      Town Hall Concert    Year: 1998    Tracks: 5      Thrust    Year: 1998    Tracks: 4      The Complete Blue Note Sixties Sessions (cd6)    Year: 1998    Tracks: 8      The Complete Blue Note Sixties Sessions (cd5)    Year: 1998    Tracks: 9      The Complete Blue Note Sixties Sessions (cd4)    Year: 1998    Tracks: 8      The Complete Blue Note Sixties Sessions (cd3)    Year: 1998    Tracks: 9      The Complete Blue Note Sixties Sessions (cd2)    Year: 1998    Tracks: 9      The Complete Blue Note Sixties Sessions (cd1)    Year: 1998    Tracks: 11      Magic Windows    Year: 1997    Tracks: 6      New Standard    Year: 1996    Tracks: 11      The New Standard    Year: 1995    Tracks: 11      Cantaloupe Island    Year: 1995    Tracks: 6      Dis Is Da Drum    Year: 1994    Tracks: 11      Maiden Voyage    Year: 1990    Tracks: 5      Mr. Hands    Year: 1980    Tracks: 6      Monster    Year: 1980    Tracks: 6      An Evening With Herbie Hancock and Chick Corea    Year: 1978    Tracks: 6      Man-Child    Year: 1975    Tracks: 6      Flood    Year: 1975    Tracks: 7      Head Hunters    Year: 1973    Tracks: 4      Sextant    Year: 1972    Tracks: 3      Crossings    Year: 1972    Tracks: 3      Empyrean Isles    Year: 1964    Tracks: 4      Out of this world    Year: 1961    Tracks: 7      The Egg    Year:     Tracks: 6      Secrets    Year:     Tracks: 7      Feets Don't Fail Me Now    Year:     Tracks: 6 Herbie Hancock will invariably be one of the well-nigh venerable and controversial figures in jazz -- simply as his employer/mentor Miles Davis was when he was alive. Unlike Miles, wHO pressed in the lead unrelentingly and never looked back until near the very conclusion, Hancock has cut a zigzagging stem itinerary, shuttling 'tween near every development in electronic and acoustic nothingness and R&B all over the last third of the 20th century. Though grounded in Bill Evans and able to take in blues, blue funk, gospel, and even new classical influences, Hancock's pianoforte and keyboard voices ar alone his possess, with their own urbane harmonic and complex, earthy rhythmic signatures -- and pres Young pianists glom his licks perpetually. Having studied applied scientific discipline and profession to love gadgets and buttons, Hancock was dead suited for the electronic eld; he was one of the earlier champions of the Rhodes electric piano and Hohner clavinet and would line of business an ever-growing aggregation of synthesizers and computers on his galvanic dates. Yet his love for the magisterial forte-piano never waned, and scorn his peripatetic activities all around the musical map, his pianissimo style continues to develop into tougher, ever-more-complex forms. He is as much at dwelling trading riffs with a smoke funk ring as he is communing with a world-class post-bop regular return section -- and that drives purists on both sides of the fence up the bulwark. Having taken up the pianissimo at age seven-spot, Hancock chop-chop became known as a prodigy, soloing in the low movement of a Mozart forte-piano concerto with the Chicago Symphony at the age of 11. After studies at Grinnell College, Hancock was invited by Donald Byrd in 1961 to get together his group in New York City, and before long, Blue Note offered him a solo sign on. His debut album, Takin' Off, took off indeed later on Mongo Santamaria covered one of the album's songs, "Citrullus vulgaris Man." In May 1963, Miles Davis asked him to join his band in time for the Seven Steps to Heaven roger Huntington Sessions, and he remained in that location for five-spot years, greatly influencing Miles' evolving direction, slackening up his own style, and upon Miles' proffer, converting to the Rhodes electric forte-piano. In that time span, Hancock's solo vocation as well blossomed on Blue Note, pouring forth increasingly sophisticated compositions like "Maiden Voyage," "Cantaloupe Island," "Bye to Childhood," and the recherche "Speak Like a Child." He besides played on many East Coast transcription roger Huntington Sessions for producer Creed Taylor and provided a groundbreaking ceremony score to Michelangelo Antonioni's photographic film Blow Up, which step by step light-emitting diode to farther film assignments. Having left the Davis circle in 1968, Hancock recorded an elegant funk album, Fat Albert Rotunda, and in 1969 formed a sestet that evolved into one of the nigh exciting, forward-looking jazz-rock groups of the geological era. Now deep immersed in electronics, Hancock added the synthesiser of Patrick Gleeson to his Echoplexed, fuzz-wah-pedaled electric forte-piano and clavinet, and the recordings became spacier and more complex rhythmically and structurally, creating its have corner of the avant-garde. By 1970, all of the musicians used both English and African names (Herbie's was Mwandishi). Alas, Hancock had to break up the band in 1973 when it ran out of money, and having studied Buddhism, he terminated that his ultimate finish should be to make his audiences happy. The succeeding pace, so, was a terrific blue funk group whose first album, Straits Hunters, with its Sly Stone-influenced hit unmarried, "Chameleon," became the biggest-selling jazz LP up to that time. Now manipulation all of the synthesizers himself, Hancock's heavily rhythmical comping often became part of the rhythm section, leavened by interludes of the old polished harmonies. Hancock recorded several galvanizing albums of generally superior timber in the '70s, followed by a wrong turn into disco around the decade's end. In the meantime, Hancock refused to abandon acoustic jazz. After a one shot reunion of the 1965 Miles Davis Quintet (John Hancock, Ron Carter, Tony Williams, Wayne Shorter, with Freddie Hubbard sitting in for Miles) at New York's 1976 Newport Jazz Festival, they went on spell the following year as V.S.O.P. The near-universal clap of the reunions proved: that Hancock was still a giant of a pianist; that Miles' loose mid-'60s post-bop direction was far from worn-out; and that the time for a neo-traditional revitalization was nigh, eventually bearing fruit in the '80s with Wynton Marsalis and his ilk. V.S.O.P. continued to go for sporadic reunions through 1992, though the death of the indispensable Williams in 1997 roam a good deal doubtfulness as to whether these gatherings would go on. Hancock continued his chameleonic shipway in the '80s: marking an MTV hit in 1983 with the scratch-driven, proto-industrial unmarried "Rockit" (accompanied by a hitting video); launch an exciting partnership with Gambian kora virtuoso Foday Musa Suso that culminated in the vacillation 1986 live album Jazz Africa; doing photographic film scores; and playacting festivals and tours with the Marsalis brothers, George Benson, Michael Brecker, and many others. After his 1988 techno-pop album, Perfect Machine, Hancock left Columbia (his label since 1973), signed a contract with Qwest that came to virtually zippo (write for A Tribute to Miles in 1992), and in conclusion made a trade with PolyGram in 1994 to record jazz for Verve and release pop albums on Mercury. Well into a youthful middle years, Hancock's curiosity, versatility, and capacity for maturation showed no signs of attenuation, and in 1998 he issued Gershwin's World. His curiosity with the optical fusion of electronic music and malarky continued with 2001's Future 2 Future, but he too continued to explore the future of straight-ahead contemporary jazz with 2005's Possibilities. An intiguing album of jazz treatments of Joni Mitchell compositions, called River: The Joni Letters, was released in 2007.

Pinback nails down 'Autumn' trek

Katie Holmes attends Broadway play rehearsals in New York City

Though casually attired, Katie Holmes exuded great stylus attending a rehearsal for her forthcoming Broadway play 'All My Sons' in New York City on August 1, 2008. Photo Credit: PR Photos

August 1, 2008 () - Though casually attired, Katie Holmes exuded great manner attending a rehearsal for her coming Broadway play All My Sons in New York City on August 1, 2008.

Katie Holmes attending a rehearsal for her approaching Broadway recreate 'All My Sons' in New York City on August 1, 2008. Photo Credit: PR Photos

Katie, 29, wore a navy gamy top with white diagonal stripes, elasticized hem and blouson sleeves paired with blue slight fitting jeans. She accessorized with black wedge heeled pointed pumps and a black Chloe purse.

Katie Holmes attending a rehearsal for her approaching Broadway play 'All My Sons' in New York City on August 1, 2008. Photo Credit: PR Photos

She flashed a demure smile below a forehead covered with her bob fringe and oversized dark glasses.

Katie is set to make her Broadway debut with the play written by Arthur Miller and directed by Eric Falkenstein. She'll appear six nights a hebdomad alongside John Lithgow, Dianne Wiest, and Patrick Wilson.

Katie Holmes attending a rehearsal for her approaching Broadway play 'All My Sons' in New York City on August 1, 2008. Photo Credit: PR Photos

The play is based on a true write up about a woman world Health Organization informed on her padre who had sold incorrect parts to the U.S. military during World War II.

The play begins its preview run on September eighteenth, with the official chess opening on October 16th at the Gerald Schoenfeld Theatre.

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‘Umbrella’ Watch 2008: Is Lloyd’s ‘Girls Around the World’ the Song of the Summer?

From now until something displaces last year's "Umbrella" from the top of our iTunes most-played list, Vulture will be judging the contenders for this year's Song of the Summer.

Even though it has an undeniable chorus, a guest verse from Lil Wayne, and this awesome Hype Williams–directed video (that implies the song's love object is an evil robot in a bathing suit), "Girls Around the World" is currently a no-show on Billboard's Hot 100, which would be a minor travesty were the music business in such a condition that charts actually meant something. Still, the fact that we've not yet heard it booming from a car stereo or leaking from someone's earbuds on the subway, is a little troubling, since we sort of love this song. Surely this will be huge eventually, right? Not even the coldest-hearted bikini-clad cyborg could resist that falsetto.

Angelina Jolie: 'I Want To Be An Aging Action Hero'

Angelina Jolie is amazed by ageing action hero Harrison Ford, and admits she would like to follow in his footsteps and continue starring in action films when she is older.

The Hollywood star loves the physical side of filming for movies like Mr. and Mrs Smith and Wanted, and hopes to be able to continue pursuing such roles when she is more mature.

She tells MTV: "I think there's always going to be a side of me.

"Harrison (Ford) is doing it, and he's doing it well. (So) it looks like I've got some more time."

Ford, 65, recently starred in Indiana Jones and the Kingdom of the Crystal Skull, the fourth instalment of the adventure franchise, performing the majority of his stunts all by himself.

Allen Lande

   
Artist: Allen Lande

   Genre(s): 
Rock: Hard-Rock
   

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Discography:


   
 The Battle

   Year: 2005   
Tracks: 12

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Slick Rick Pardoned For Attempted Murder

Lloyd Cole and The Negatives

   
Artist: Lloyd Cole and The Negatives

   Genre(s): 
Rock
   

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Discography:


   
 The Negatives

   Year: 2001   
Tracks: 11

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Christensen says Ledger was 'enigmatic'

Universal Music Group and Qualcomm Announce Agreement to Expand UMG's Direct-to-Consumer Mobile Offering

SAN DIEGO and NEW YORK, May 29 /PRNewswire-FirstCall/ -- Universal
Music Group (UMG), the world's leading music company, and Qualcomm
Incorporated, a leading developer and innovator of advanced wireless
technologies and data solutions, today announced that UMG will expand its
lineup of direct-to-consumer mobile content and services for music fans by
leveraging Qualcomm's BrandXtend(TM) solution. UMG's mobile offering will
be available directly to consumers through its artist Web and WAP sites, CD
packaging and its GetMusic.com portal.

By leveraging BrandXtend, UMG is opening additional channels of content
discovery and delivery to music fans everywhere, offering an extensive
array of direct-to-consumer mobile products, including ringtones, video
ringtones, wallpapers, artist updates and more from thousands of the
world's most popular artists. BrandXtend will allow UMG to effectively
manage their direct-to-consumer content offering through its comprehensive
capabilities including content delivery mechanisms, campaign management and
robust merchandising tools which include recommendations, bundles, text
campaigns and more. UMG's use of BrandXtend for its direct-to-consumer
mobile offerings is intended to help UMG bring even more exciting, new
content to consumers through the comprehensive promotion and management
tools that the solution provides.

"UMG is committed to providing music fans with even more compelling
interactive opportunities to connect with their favorite artists by
personalizing their mobile devices," said Adam Flick, vice president of
marketing/digital for Universal Music Group Distribution. "Due to the
support we are getting from Qualcomm through BrandXtend, we'll be in an
even better position to extend these artist opportunities and products
across the widest array of available wireless devices. As the demand for
advanced mobile content grows, UMG will continue to lead the way in
adopting the latest technology to offer fans the most dynamic interactive
musical experiences possible."

"A direct-to-consumer mobile content offering benefits everyone from
the end-user to the brand and the operator, by driving revenue streams,"
said Brian Dunphy, senior director and head of brand and affinity relations
for Qualcomm Internet Services. "BrandXtend provides UMG with the tools,
services and flexibility necessary to take their mobile efforts to the next
level with more merchandising and direct marketing tools."

BrandXtend opens new channels for branded media, entertainment, music
and game companies to deliver their content to consumers. A key aspect of
BrandXtend is that it provides end users with a reliable and easy-to-use
platform for the discovery and delivery of compelling mobile content.
BrandXtend is aimed at driving the uptake of mobile content off deck and
Qualcomm has collaborated with major brands to bring exciting, new content
to operators and end-users, while also supporting the growth of Qualcomm's
operator-managed mobile data offerings.

Qualcomm Internet Services enables mobile retailing solutions and
Internet services that accelerate consumer adoption and usage of mobile
data worldwide for its operator, brand & affinity and content provider
customers. BREW(R) and BrandXtend are comprehensive solutions for customers
seeking to bring high-value wireless services to market and enhance the
mobile experience for consumers. Customers also can benefit from a
portfolio of adaptable, modular products that can be used to address
specific mobile retail challenges from general merchandizing to
personalized recommendations.

About Universal Music Group

Universal Music Group is the world's leading music company with wholly
owned record operations or licensees in 77 countries. Its businesses also
include Universal Music Publishing Group, the industry's leading global
music publishing operation.

Universal Music Group's record labels include Decca, Deutsche
Grammophon, Disa, Emarcy, Fonovisa, Interscope Geffen A&M Records, Island
Def Jam Music Group, Lost Highway Records, Machete Music, MCA Nashville,
Mercury Nashville, Mercury Records, Philips, Polydor Records, Universal
Motown Records Group, Universal Music Latino, Universal Records South, and
Verve Music Group as well as a multitude of record labels owned or
distributed by its record company subsidiaries around the world. The
Universal Music Group owns the most extensive catalog of music in the
industry, which includes the last 100 years of the world's most popular
artists and their recordings. UMG's catalog is marketed through two
distinct divisions, Universal Music Enterprises (in the U.S.) and Universal
Strategic Marketing (outside the U.S.). Universal Music Group also includes
eLabs, its new media and technologies division, Bravado, its merchandising
company, and Twenty-First Artists, its full service management division.

Universal Music Group is a unit of Vivendi, a global media and
communications company.

Qualcomm Incorporated (http://www.qualcomm.com) is a leader in
developing and delivering innovative digital wireless communications
products and services based on CDMA and other advanced technologies.
Headquartered in San Diego, Calif., Qualcomm is included in the S&P 500
Index and is a 2008 FORTUNE 500(R) company traded on The Nasdaq Stock
Market(R) under the ticker symbol QCOM.

Except for the historical information contained herein, this news
release contains forward-looking statements that are subject to risks and
uncertainties, including the extent and speed to which BrandXtend is
deployed, change in economic conditions of the various markets Qualcomm
serves, as well as the other risks detailed from time to time in Qualcomm's
SEC reports, including the report on Form 10-K for the year ended September
30, 2007, and most recent Form 10-Q.

Qualcomm and BREW are registered trademarks of Qualcomm Incorporated.
BrandXtend is a trademark of Qualcomm Incorporated. All other trademarks
are the property of their respective owners



Qualcomm Contacts:
Keri Danielski, Qualcomm Internet Services
Phone: 1-858-845-2453
Email: qis-pr@qualcomm.com

Emily Kilpatrick, Corporate Communications
Phone: 1-858-845-5959
Email: corpcomm@qualcomm.com

John Gilbert, Investor Relations
Phone: 1-858-658-4813
Email: ir@qualcomm.com

Universal Music Group Contact:
Peter Lofrumento, Universal Music Group
Phone: 1-212-331-2585
Email: peter.lofrumento@umusic.com



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• Peter Gabriel announces online music project
• The Monkees
• Cosy up to The Charlatans

Leaether Strip

   
Artist: Leaether Strip

   Genre(s): 
Industrial
   Pop
   Dance
   Rock
   

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Discography:


   
 Walking On Volcanos

   Year: 2006   
Tracks: 9


   
 Aftershock

   Year: 2006   
Tracks: 9


   
 After The Devastation CD 3

   Year: 2006   
Tracks: 9


   
 After The Devastation CD 2

   Year: 2006   
Tracks: 12


   
 After The Devastation CD 1

   Year: 2006   
Tracks: 12


   
 Suicide Bombers

   Year: 2005   
Tracks: 7


   
 Satanic Reasons: The Very Best of Leaether Strip (cd2)

   Year: 2005   
Tracks: 15


   
 Satanic Reasons: The Very Best of Leaether Strip (cd1)

   Year: 2005   
Tracks: 15


   
 Best of Lealther Strip

   Year: 1998   
Tracks: 13


   
 Yes-I'm Limited Vol.II

   Year:    
Tracks: 11


   
 Yes I'm Limited Vol.3

   Year:    
Tracks: 13


   
 Underneath The Laughter

   Year:    
Tracks: 9


   
 The Rebirth Of Agony

   Year:    
Tracks: 12


   
 The Pleasure of Penetration

   Year:    
Tracks: 10


   
 Solitary Confinement

   Year:    
Tracks: 12


   
 Serenade for the Dead- CD2

   Year:    
Tracks: 4


   
 Serenade for the Dead- CD1

   Year:    
Tracks: 10


   
 Serenade for the Dead

   Year:    
Tracks: 10


   
 Self-In-Flict-End

   Year:    
Tracks: 12


   
 Science for the Satanic Citizen

   Year:    
Tracks: 8


   
 Retrospective

   Year:    
Tracks: 14


   
 Positive Depression

   Year:    
Tracks: 4


   
 Penetrate The Satanic Citizen

   Year:    
Tracks: 15


   
 Object IV

   Year:    
Tracks: 4


   
 Legacy of Hate And Lust

   Year:    
Tracks: 11


   
 Getting Away With Murder

   Year:    
Tracks: 10


   
 Fit For Flogging

   Year:    
Tracks: 12


   
 Double Or Nothing CD 2

   Year:    
Tracks: 13


   
 Double Or Nothing CD 1

   Year:    
Tracks: 4

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